Wednesday, May 25, 2011

Gateway Home

One of the more interesting parts about my move to Los Angeles was my complete lack of homesickness. I'm generally not someone who hangs on to territorial sentiments, and moving to LA was mostly an escape and all together a Good Move. I love it out here, and I do not see that changing any time soon.

I'm originally from a very small town called Jackson, Missouri. Home to about 12,000 souls, most people know of the area only because of the neighboring big-sister town of Cape Girardeau. There's not much to it aside from the Mississippi River and the fact that pundit Rush Limbaugh grew up there. The towns are quaint, the farmland big, and while I'm sure it's a perfectly reasonable town to raise a family, it's entirely too droll for young creatives. I've always held the belief that the prettier an area, the more boring it is, and Cape Girardeau is certainly no exception.

However, after having been in a committed relationship for two years, my girlfriend had never been back to where I grew up. Our previous vacation to New York and Washington DC was my chance to see her hometown. This time, we resolved to take a vacation back to mine. Now, while this certainly would have been a rather uneventful trip, there is one good part of the area that I certainly began to miss upon moving out here: its proximity to St. Louis.

As boring and slow as my hometown tended to be, I loved the city of St. Louis. While only an hour and a half away from Cape (that's how long it takes me just to get to the beach on the freeways from here in Burbank), it was always a magical spot growing up that my family and I would visit as a miniature vacation when we couldn't afford to go on long-distance excursions. Looking back, I mostly took these trips for granted. By going with someone who had never been, however, I found myself scrambling to show her every one of the "cool" spots to see within the city. Before long, I had racked up a list longer than the one we have for our current LA. I couldn't wait and resolved to have every detail accounted for. Unfortunately, living in LA tends to make you forget about the seasons the rest of the country has. When I was young, I was fascinated by the country storms that would roll in through the Summer. I missed them greatly, and apparently, I missed them a little too much. We had bought our plane tickets months in advance for the Saturday of Easter weekend. For those who have kept track of the news this year, you may remember where this was going.

As my girlfriend and I were packing that Friday evening and getting settled for a short rest before our flight, word hit about an F3 tornado that slammed into and closed Lambert-St. Louis International Airport. That's right. After so much planning and anticipation, Mother Nature herself was forbidding me from returning home. While I have yet to see if that was a sign about leaving my beloved Los Angeles, I was determined at the time to make our way somehow. Our flight canceled, Abrah and I were scrambling to find some way to see what kind of situation the airline was in.

At this point, I really have to commend Southwest Airlines. Without hardly any trouble, they were happy to reroute us to any of the nearby cities without any additional costs. They even managed to fit us in early on the same day as our original departure. After being in close to tears, our vacation was saved. Sort of. We were flying into Kansas City now, and my parents managed to make the additional 4-hour drive across the state to drive us back to St. Louis. They were staying with us most of our vacation anyway, but we did lose a little time from my precious schedule. After a short stop where I briefly went to college at the University of Missouri in Columbia, we arrived safe an sound at our destination at around 11PM.

Driving through, we could definitely see the destruction, and had it not been night, I would have stopped to take some photos to share. There was no doubt about it; a tornado had clearly smacked the airport across the face. The beautiful Terminal 1 that was so famously displayed through George Clooney's "Up In The Air" had its windows busted out completely. Freeway markers and signs were bent every direction, and a bystander could clearly tell a path had been from across the nearby I-70 towards the tarmac. It reminded me of a similar tornado that had ripped through Jackson when I was still in high school.

But, most importantly, my vacation was still on. There was no way I would let a little wind ruin my vacation. So, that Easter Sunday, we woke up early and made our way to one of my favorite things about the city: The Saint Louis Zoo.

The wonderful butterfly house

A sassy friend we met in the penguin exhibit

The St. Louis Zoo is one of the must-sees of the city. Governed by three boards, the park is essentially a government entity and made free to the general public. Tracing its roots back to the original Flight Cage from the 1904 World's Fair (a bird cage still operating today), the zoo has become a staple to the surrounding Forest Park area, as well as an important and cherished piece of St. Louis history. The park is home to about 18,000 animals found in areas divided roughly by home terrain. While most of the animals have outdoor room to roam, some of the more... exotic animals are housed in what can only be described as giant indoor temples created to celebrate our living world (I highly recommend the Herpetarium if you are not afraid of slithering things). One of the more exciting animals is the critically endangered Amur Leopard, a big cat with only about 40 individuals left in the wild.

Our visit was short-lived, of course. Not long after we began our journey through the park did the rain begin to come down. We were already on a time limit as it was (more on this shortly), so we only got to briefly see the indoor exhibits. The trip was not in vain, of course, as my girlfriend loved the butterfly and penguin houses, which were really why we wanted to visit in the first place. Our only disappointment came from learning that the former polar bear displays had been replaced due to the unfortunate death of the already troubled animals. They were always a favorite to my family, and I shudder to think that we may be reaching a point where those always-happy polar bears will no longer exist.

After our zoo trip, we began the search for food. Being Easter Sunday, our original trip to The Hill had been unsuccessful (my parents, being parents, would not listen the my reasoning that a prominent Catholic neighborhood would not, in fact, be open for the holiday). So, just to show my girlfriend the sights, we drove down the Laclede's Landing area nestled right against the Mississippi riverbank. Lo-and-behold, the one restaurant we wanted to take her to the most was mystically open for the day, and at extended hours from what we expected to! The restaurant, of course, was The Old Spaghetti Factory! While certainly not native to St. Louis, the OSF has always been a favorite, and we had concluded that the StL branch was indeed better than their others. Plus, it was a time-honored tradition for us to eat at the Factory before our next stop. The food was delicious, as always, and we all managed to take our time savoring the spumoni ice cream included with the meals.

With our meal concluded, we checked our watches and decided that it was time to head downtown. My parents had the foresight to book rooms at the Drury Plaza in the heart of the city, so we would be able to park our car and walk to wherever we needed to go in the immediate area. This was especially essential because there's one stop that I had to go to if I returned to St. Louis. It was something I had reserved almost before I had even bought the flights to the city. An event so rich and grounded in St. Louis culture and history that missing it would essentially mean your trip to the city was incomplete...





 A St. Louis Cardinals baseball game at Busch Stadium. It's absolutely necessary. The stadium is practically a second home to many natives of the surrounding areas. Whereas cities like New York and Chicago have a slew of wonderful locations and sights, St. Louis grew in such a way that, while we have plenty of cool locations to visit, baseball would always remain at its heart. We do have other sports, yes, but you will not find the same kind of passion and pleasure that can be found at a packed game at Busch. And our home games are always packed.

Dating nearly 120 years old, the Cardinals made their official name change in 1900 and have remained rooted in downtown ever since. Names like Roger Maris, Lou Brock, Bob Gibson, and Stan The Man ring throughout the stadium on any given day, usually announced by broadcasters like Jack Buck, Harry Caray, and Mike Shannon. Although the current incarnation of Busch Stadium was built in 2006, the site it rests on has been a local landmark since the original "arches" stadium in 1966. Even on away games, a baseball fan can walk around the stadium and enjoy the beautiful statues of players past that rest outside. The best viewing is certainly behind home plate, with the wonderful view of the downtown skyline and the Gateway Arch beyond center field. It also houses a unique take on another native St. Louis business: a Build-A-Bear (or, in this case, Build-A-Fredbird) Workshop. Needless to say, the stadium is hard to miss when visiting the city, and even from outside you can hear the stadium tornado siren and fireworks roar after every Cardinal home run.

I had to make the pilgrimage, and throughout our travels, I was worried that our game would be rained out. The forecasts were not looking good with more major rain expected to hit at roughly the same time as First Pitch. To make matters even crazier, this was no ordinary game, but an ESPN Game Of The Week event day against our current rivals, the Cincinnati Reds. It was a day full of Stan The Man Bobbleheads, the first to be made after the Cardinal legend. Not only did we have to fight the rain, but we had to fight the crowd.

Our worries were for nothing, though. Upon entering the stadium, bobbleheads in tow, we actually had a very pleasant game. We had splurged on seats just 10 rows behind home plate, a first even for Cards fanatics like ourselves. Although my girlfriend does not care for baseball, the rest of my family had a great time. The rain amazingly held off until a light drizzle started around the 6th inning, and I even got to hear my tornado siren! The family ended the night with a trip down to local bar Caleco's, myself feeling as though the vacation was successful just from the first day alone. Eventually, I was taken out overnight by my great friend (and hopefully future LA native) Sarah, and we had a great night catching up at a nice little karaoke bar called Novak's. I had never been before, and was pleasantly surprised. It reminded me a bit of the West Coast, and I was finally able to reconnect with people I had felt missing from my life for quite a while.

The next day in St. Louis was a little more rushed, as we had lost a day due to the tornado and were driving down to Cape Girardeau in the evening. So, we decided that my girlfriend could not visit St. Louis without going to its most famous landmark: The Gateway Arch


 Technically, the Arch's official name is the Jefferson Expansion National Memorial Park. When construction ended in 1965, its stainless steel frame stood at 630ft high. It currently remains as the tallest man-made monument in the world, able to shadow everything from the Statue of Liberty to the Washington monument to even the Great Pyramid of Giza underneath. Throughout our stay, the monument stood outside our hotel window, a welcome sight after nearly five years going without seeing it. My girlfriend commented several times on our vacation at the sheer size of it as it watches over the city.

We decided to actually go up into the Arch, which was a first even for me. Always happy to support our national parks, we bought a package that included the short documentary before escalating inside. I found it fascinating, even if the video was more than a little dated. The images of men suspended from the Arch evoked images similar to John C. Ebbet's famous Empire state Building construction photos. Even more inspiring, the video claimed that expected several (I believe the exact number was 14) men to lose their lives atop the steel pinnacle, yet not one did. After the video, my girlfriend and I ascended through the extremely small "capsule" elevators designed specifically for the monument. The view was wonderful from the top and surprisingly roomy. I was especially happy every time someone would point out Busch Stadium from the skyway (which most of the people seemed to do at least once). However, one thing to note is that the Arch is built to sway at least 18 inches to remain flexible in high winds, and we descended rather quickly after my girlfriend felt the motion while looking over the Mississippi River side.

We also made a pit-stop at the St. Louis City Museum.


What can only be described as one massive playground, the museum is a wonderful place to explore and basically run around being crazy. It's not without its educational merits, however, as among the displays are and architecture and antique exhibit, as well as an aquarium. We were a little too old for most of the really fun stuff by the point, but I still had a blast climbing through what areas I still managed to squeeze through. the girlfriend was not as amused. We also managed to find (by complete luck, as most of our food had been this trip) the famous Ozzie's right around the corner. We had come during the slow period, not even expecting it to be open but we lucked out!

Happy with the first half of our trip, we made our way down to Cape Girardeau only to be hit with even more tornadoes on the drive down Interstate-55. This would become a common occurrence during the next couple of days. Thankfully, we were not blown away by any means and enjoyed a few relaxing days with not much to do.

This part of our trip was mostly melded into one. As I mentioned, Cape Girardeau and Jackson are not large by any means. We were mostly famous as a trading post during the early Louis And Clark Expedition, and we do have a history with Mark Twain. It is exactly what you would expect a lazy river town to be. There is a massive floodwall that protects Cape from imminent doom, though the other areas have not been so lucky (evidenced by the flood of 1993, which many people have seen photos of regarding my home area over the years). This part of the vacation was spent mostly driving around or hanging out with my long-lost friends in a few of the local bars. The one major stop was a must-do restaurant known as Lambert's Cafe. Dubbed the "Home of the Throwed Rolls," it was recently voted as the #1 Place to Pig Out by the Travel Channel and has been featured numerous times by the Food Network and beyond. The atmosphere is that of a good home-cooking kitchen with license plates and ragtime waiters. All of the items are All-You-Can-Eat (you generally don't need seconds anyway), and include famous "pass-around" or extras that travel around the room. Of course, the most famous aspect are the hot, moist rolls that are thrown at you from across the room. I had plenty of great memories of those rolls and sorghum, and I was finally able to add new ones with my girlfriend. we both had the chicken strips and still had more than enough left over to make a complete third meal when done.

To end-cap our trip, we had planned a late flight out of town, so we finished up shop doing a few more things around St. Louis. The final big attraction that is essential to any visitor is a free tour at The Anheuser-Busch Brewery.




The largest brewer in the world, Budweiser is no doubt a familiar name to most people at this point. And while the free beer at the end of the tour is definitely a major highlight, the tour itself is fascinating. Containing three registered landmarks, the Busch campus covers 100 acres, almost the same size as my employer at Warner Bros. It's one of the oldest maintained structures in the city and has been synonymous with our economy over the past century-and-a-half. Plus, it's a great opportunity to see the world-famous Clydesdales, some of which were more than happy to pose and play when they saw the tour groups approaching. As for the beer, the beechwood aging process is pretty fun to learn about, and seeing the giant steel aging vats certainly puts our world's love for alcohol into perspective. I certainly couldn't complain after having a freshly brewed berry-flavored draft at the end.

We also had to make one final stop, a restaurant called Bailey's Chocolate Bar in Lafayette Square. We had heard it recommended from several of our fellow St. Louis transplants, and decided to give it a look. The menu and theme is entirely based on, well, chocolate, though they do offer regular lunch specials and pizza as well. To say it was delicious would be an understatement. Mom tried their chocolate beer, while I went for the much-recommended chocolate martini (get it hot if you can). Everything was extravagant, and every table had a freshly place rose you could purchase for your significant other while on a romantic date. I was extremely impressed and would go there again in a heartbeat.

Nearly a month later, I'm typing this trying to remember everything that happened. I had been reluctant to write a blog on the city, feeling that my pictures and stories would not do it justice. Already, I would love to return for a second vacation. While definitely not a city I could probably live in for the rest of my life, it's certainly charming in its own right and well worth a visit. While New York and LA certainly get a lot of attention, and for good reason, St. Louis is a destination with many, many offerings that are easy to pass over among the bigger cities. I feel as though there's even more I can show, from the Fox Theater, to the Muny, to the Science Center. I may have moved, and I certainly don't miss Cape Girardeau, but St. Louis will always be the city I compare others to.

Tuesday, October 26, 2010

Extreme Exposure

My business phrase in photography has always been "Bringing the World to You." While there are many different types of photography out there, each with their own unique nuances and cliques, my personal favorite has always been the types of photographs that inspire people to view parts of the planet that they may not normally know of or hear about. For me, photography is a way to bring far away locations and cultures to people who may not have thousands of dollars sitting around to spend on a luxury expedition. Whether you're in the Midwest or sitting on the steps of Angkor Wat, the Earth contains of a wide variety of atmosphere that are, surely, unique to someone else. I suppose this is why I am so enthralled National Geographic, as their photography has been bringing locations both near and far to readers around the world for over a decade.

This past Saturday, as Abrah and I were sitting around trying to figure out some way to pass the weekend by, we realized that the Annenberg Space for Photography was opening their newest exhibit, Extreme Exposure. Without much hesitation, we drove down to Century City to take a look. By far, it has been one of my favorites of the three exhibits I've managed to check out. The display featured five photographers and prints that, while not necessarily officially showcased by National Geographic, were no strangers to their mission. Everything I love about travel and exotic photography was on display, with each photographer focusing on a certain area from the extremes of the Earth. Two of the photographers, Michael Nichols and Paul Nicklen, I had heard and seen quite a bit from before from reading NGM. I was pleasantly surprised by the others that I was not familiar with, however: Clyde Butcher and the married team of Donna and Stephen O'Meara.

Upon first entering and being greeted by the always-friendly staff, you are met with an introduction to each of the photographers and what their display was focused on. As we would walk around, the photographers also had displays of items used on their respective journeys, giving the Space even more depth and detail than normal. I knew I would fall in love with this current round of photos because the first photo a visitor comes across in the entrance hallway is that of the famous redwood tree that graced National Geographic only a short while back. It was a picture that made my trip to Muir Woods an absolute necessity earlier this year. Composed by stitching together 84 images, the final image is positively lovely in print with a great deal of color and detail popping out that is hard to recreate via the internet or limited magazine spreads. Even more impressive, Michael Nichols later says in his video that they can easily print out the image life-size; it's a final image that rests over 300 feet tall. I pray that one day the side of the Annenberg and CAA buildings have this tapered on their sides like so many other billboards in Hollywood.

After you notice the redwood print, the first photographer to be highlighted is Paul Nicklen with his prints of the coldest places on Earth, complete with personal drysuit on display. Out of all the photos, I think I loved Paul Nicklen's the most. I had first heard of his work not through his photos but by a story from my Iris Nights lecture with David Griffin. Paul's story was the same "sea lion story" I had mentioned previously. Sure enough, several of the same images I saw from Mr. Griffin's lecture were there in canvas form for display. Apparently, Paul had run across a female leopard seal while doing a story. Feeling testy, it began to snap at the camera's underwater housing. After it realized Paul was not a threat, it actually began to try feeding him by capturing penguins and bringing them back to the photographer. It was a cute story, and the pictures are extremely vivid to see brought to live. His photos of the arctic are colorful and sharp in a world most normally associate with being devoid of much life. Whether it's a lone polar bear or narrowly avoiding a walrus's headbutt, Paul Nicklen's photos are great at conveying a story and atmosphere.

Next down the line were Donna and Stephen O'Meara, a husband and wife team specializing in volcano photography. Their gifts to the display were a giant block of pahoehoe lava and their trekking boots. I found their exhibit fairly interesting, if partially because of the timing. Several of their photos feature Eyjafjallajokull, the notorious Icelandic volcano that shut off travel throughout Europe earlier this Summer (also famous for having Top Gear host James May drive up to its crater in a Toyota Hilux). for myself, the volcano pictures were largely reminiscent of my short time living Hawaii when I was younger. They definitely Kilauea in their displays, with plenty of hot lava flowing from every still.

Clyde Butcher's displays were on the open area next to the center screening room of the Annenberg, and I felt he was the most surprising of the photographers. His work is mostly Large Format and focuses on the Florida Everglades. His prints are definitely to be seen in person to be appreciated. They are composed in black and white and feature a stunning detail I have never seen in print before. He says in his video that he wants "people to feel like they can walk into a photo." The essence is certainly there. His gift to the exhibit of course was one of his large format view cameras, an 8x10 I believe. His statements do seem markedly anti-digital, but his story is certainly inspiring and the format he chooses works wonders. Even though the Everglades seem somewhat less exotic than the other areas featured, he captures them in a way that seems extremely foreign.

Michael Nichols can be found on the exit hallway and the restroom area. It's amazing what this man has accomplished with 25 stories shot for National Geographic, let alone other publications. His exhibit placed an emphasis on more forests, especially the Congo and the redwood range of the Western US. I found Michael's work to be interesting, if anything, because several of the extremely fun photos were taken via remote camera traps, including one with a very slimy and imposing crocodile tail. His were also some of the view to feature people in this exhibit, and to no surprise, captured to most sense of urgency. Much like the Water exhibit, some (but certainly not all) of his photography highlighted issues facing environments today, especially to Congolese prints. This was both a positive and negative to some, as both Abrah and a few others stated this and the Water exhibit similarly focused too much on trying to make a statement. I did not mind, but it was a stark contrast to the other photographers who focused on letting beautiful and foreign lands speak for their own nature.

Overall, Extreme Exposure is a highly recommended showcase if you can make it down to the Los Angeles area between now and April 17th. I believe it has been my favorite and most well-measured display so far with Water close behind. With any luck, these images will help inspire even more to view our world from different angles.

Sunday, October 17, 2010

New Website

So, after a solid 30-40 hours of learning Flash from scratch, I have officially started a website for my photography. Please check it out and let me know what you think!

Wes Smith Photography

Impressions of New York

I recently traveled to New York City for the first time about a month ago, as you may have noticed from my King Tut blog. With the Yankees in the playoffs yet again (hey, I'm a Cardinals fan, but we fell out awhile back), I figured it was high time to update this page with my trip and impressions.

Abrah and I arrived in the city mid-day Saturday after a direct flight from LAX. She had not been feeling well due to the plane, but I was ready to get out and explore the moment we had landed. It's important to note now that Abrah has been to the city several times almost every year since she was born due whereas this was my first trip. Throughout the next week, she would start to feel better and do her own things, but most of my time was spent meandering without any real purpose or direction through the city. Anyway, we took a short taxi trip from JFK to her friend's apartment that would remain our basecamp for the next few days.

The ride was interesting, to say the least. It's hard to describe someone's first thoughts of Manhattan. It looks essentially what you would expect from countless movies and television shows. The skyline is nothing but skyscraper after skyscraper. What makes it unique, however, is the feel of the city, and emotion that is rather difficult to put into words. As we came out of the tunnel and into the city itself, I was immediately hit with a sense of scale from both sides. I began to realize that, while you are surrounded by these massive buildings, you are still on a limited island. It's one thing to read that, yes, Manhattan Island is only 8-miles long or whatever, but to actually be in the middle of it for the first time is what really puts that scale into perspective. I would be taking advantage of this on my walks later on through the week.

We arrived without problems to our host's apartment and, after getting settled in, the three of us set to work on a theme that would quickly become my favorite throughout our vacation: food. While the girls weren't terribly hungry, I was starving and, for whatever reason, I was craving an authentic NYC meatball sub. I have no idea why this came into my mind, but I had decided I wanted to just walk into some small hole-in-the-wall place and get a sub. So, that's just what we did. I can't remember the name of it (I think it was PJ's Pizza, on 52nd and 10th), but it was, hands-down, one of the best meatball subs I had ever had. It really set the tone for our culinary experience the rest of the trip. And of course, this was only topped by the rooftop view we had from our basecamp:



It was a perfect way to start our journey.

The next day, we each set out for our own separate trips. Abrah still was not feeling well, so I got an early start on walking around. I certainly looked and acted like a stupid tourist, but getting out into a new city is always a rush. I had no idea where I was, but thankfully NYC is set up in such a way that it's hard to get lost. Labor Day weekend was approaching, so the city was still fairly crowded (although I guess it's always crowded) in the touristy areas. I managed to run right into a huge street festival on Broadway, which was a massive timesaver with no traffic to worry about. It was here that I managed to get my legs for the city and approach the idea of jaywalking. In Burbank, that will almost always net a ticket, but in this massive city, it was everyday life. I had no fear here, and was able to get around with my camera to feel out the city easily enough.

Eventually, I made my way into Central Park. It was certainly massive, although I'm not sure if it's exactly what I had always thought. To be honest, after growing up in Missouri my whole life, a park is a park until it gets funded on a national level in my eyes, and CP was not much of an exception. It was certainly fun, and large, but not what I had imagined after seeing it in so many areas. The shade was a relief, to be sure, and I did enjoy watching a couple softball games with the city towers as a backdrop. Perhaps I need to take that "movie tour" that is offered to get a better sense of place. Also, I got lost in the Ramble. Never again.

I eventually met back up with the girls near the street festival and, unknown to me, I had completely passed by Times Square without even noticing. If there was one place in the city that I felt was smaller than what I imaged, it was Times Square. We ate at the Sbarro's nearby (apparently much different than the others), and went off to do some shopping. The night was rather quiet, and we ordered delivery to watch the Emmy Awards in the evening after meeting up with yet another friend in the city.

We awoke early the next day for what would be one of the highlights of our vacation: attending the Late Show with David Letterman. Now, it's important to remember than both Abrah and I work in the industry for George Lopez and Ellen DeGeneres, respectively. We knew the process of a live-taping and were here mostly to see Dave and to see how they run their show. Well, I was there to see Dave anyway. It was a fantastic experience on the whole, and seeing a living legend up close was a dream come true. We were placed front row and both spent a good while figuring out how their audience coordinators handled their seating. Their staff was amazing, and we were happily informed that it was the start of his 17th Season. I would highly recommend it to anyone interested. just remember you have to answer a trivia question before the tickets are granted!

The rest of the trip was spent between museums and shows. I had made the Museum of Natural History one of my major stops, with the King Tut exhibit being a spur-of-the-moment event. You can read about the latter in the blog. The MoNH was really interesting, at the least, and I fell in love with the dinosaur exhibit. The girls mostly stayed behind to chat about girly things or to make fun of how much of a kid I was being. I had never seen many fossils in my time, but the T-Rex made the 8-year-old, Jurassic Park-lover in me delighted. I spent as much time on the upper floor as I could. The other floors were ok, but I have to admit to being a little let down overall. Most of the displays were dioramas, which isn't much after having grown up going to the St. Louis Zoo with real animals everywhere. I also felt there was a ton of emphasis on different tribal cultures, which isn't much of a natural exhibit at all, cool though they were. On the whole, I enjoyed it, but felt the King Tut exhibit was the better of the two museums on the trip.

We also managed to wrangle great seats to American Idiot. We caught up with one of our LA friends and coworker of Abrah's who happened to be in the city as well. Somehow, the girls managed to get front-row Mezz seats via Rush seating. I'm am an avid hater of stage theater after having lived it since the 6th grade (give me motion pictures or give me death), but I had to admit that i did not hate the show as much as I thought I would. They sounded like Green Day, which was the only real requirement I had, and I only disliked the portrayal of St. Jimmy out of the cast. It was the play I had imagined after first hearing the album, and I would consider one of the very (very) few musicals I would be able to tolerate again. After the show, we managed to go onto the stage thanks to some connections our friend had with the guitarist. He was a gentleman, and it was extremely cool to be on a major Broadway stage, if nothing else.

Overall, the trip was incredibly enjoyable and I know what others mean now about falling in love with the city. I felt like there simply was not enough time to see all that I wanted, but I guess it would take lifetimes for that anyway. The city is definitely one-of-a-kind, with its own culture, layout, sights, smells, etc. Just seeing a picture of the city now brings up a ton of different memories (mostly the smell, but you get the idea). I doubt I could ever live there and am happy with the city, but I certainly would not mind a job that sent me over to their coast on occasion. Most of all, regardless of any positive or negative opinions a person might have, New York City proved itself one thing of all others: unforgettable.

Friday, September 3, 2010

Meeting King Tut

In 1922, a group of British archaeologists were working diligently in the Valley of Kings near Luxor, Egypt. The valley had become a veritable goldmine of artifacts from the age of the pharoahs. Located near the ancient capital of Thebes (now Luxor), the site had been used for centuries as a burial ground for kings and other nobility from the legendary Egyptian Empire. Thinking the tombs of the past had been nearly expired, Howard Carter and his employer, Lord Carnarvon, were exploring. In those early days of treasure hunting, young locals were often hired to bring buckets of water from off-site to the expedition teams. Due to the nature of the sand and winds of the area, these buckets were often dug into the ground for stability once brought. One such local boy had brought in water to the team outside the tomb of Ramses VI, and as he positioned his bucket into the sand, he hit the hard edge of stone. The nearby Carter immediately focused a dig team at the site and so found the hidden tomb of King Tutankhamun, the Boy King. Covered for thousands of years underneath the larger tombs of the area, the tomb was nearly pristine and untouched, one of the most complete discoveries out of any of the tombs of the valley. The find has become one of the most famous stories in archaeological history, fascinating the world and creating one of the lasting legacies of Egypt. The pieces found with the body of Tut are some of the most well-traveled of any pieces of the ancient world.

In cooperation with the National Geographic Society, several of the items from within the tomb are touring yet again. Upon my first visit to New York City, I noticed banners in Times Square mentioning the current tour, "Tutankhamen and the Golden Age of the Pharoahs." I had previously been unaware of the exhibit and had been planning instead to visit some of the other staples of NYC museum touring. While the Met, Guggenheim, Whitney, and the others all sounded well and good, I simply could not pass up the opportunity to see not only another National Geographic Exhibition, but pieces from the Egyptian era that I had only hoped would exist somewhere in the city. So, while my girlfriend went to one of her frilly Broadway-musical-dance-show-things, I took the quick jaunt down to the Discovery Times Square Exposition and slapped down the $30 entrance fee. Going in, I knew very little about the exhibit other than "Egyptian stuff from King Tut and National Geographic." As our hosts gathered us into a small room for a 90-second introduction video, I had doubts in the back of my mind that this would be a small display that used additional audio guide and film entrance costs to cash in. However, as the short clip ended, the doors in front of us swung open to reveal dramatic lights beaming down on a granite bust of the pharoah himself. With booming music introducing us to the actual pieces, my doubts faded and I was able to enjoy an absolutely wonderful gallery with everything I had hoped for in an Egyptian display.

One important element to the exhibit that I found interesting is that it deals not only with King Tut but most of the rest of his family the comprised the 18th Dynasty. With over 130 artifacts available to view, it followed the family from at least Tut's great-grandfather Thutmosis IV to the Boy King himself. The first of the galleries dealt with the early dynasty and Egyptian life at the time, and each of the subsequent sections followed the family timeline through generations. While I did not keep an exact count, I would guess there were at least 15-20 rooms total, each of which had several items on display. The pieces chosen were genuinely interesting, and it was one of the few museums were I made a note to read the descriptions of everything available. Many of the other participants (and there were many on the day I went, especially for a Wednesday), were doing the same from what I had noticed. The descriptions were usually short and simple, but educational and in line with what I read in the cover article of the September 2010 issue of National Geographic dealing with recent DNA tests regarding King Tut's family history. Even the basic items like bowls or spoons had something insightful to offer about life of the era.

Of course, when talking about ancient Egypt, the first image that springs into most peoples' minds is gold. Indeed, Tut's death mask and sarcophagus have practically become the national symbols of the country. While the mask and coffin themselves are not allowed outside Egypt's borders (and thus not included in the exhibit), there was no lack of gold within the Exposition hallways. All of the item descriptions mentioned what the item was composed of, and well over half of them had "gold" somewhere in the makeup. Sometimes, it was only a gilded necklace on a tiny model. Other times, the pieces were huge, including the gilded death mask and golden coffin of Tut's great-grandmother Tjuyu. Extravagance abounded in every room in surprising detail. I was quite surprised at how well most of the pieces had been preserved after thousands of years of burial (Tjuyu's mask still had remnants of its original cloth wrappings). Looking through the glass cases, a person would be hard pressed to admit they had been created by a people long since gone.

I was slightly disappointed about the inability to take photos, understandable a policy though it was. I was also unaware that the mask and coffin of Tut were not on display, though it made sense once I realized it. They did, however, have one of the canopic coffins that contained Tut's internal organs for mummification, and it was essentially a miniature version of the main casks. Out of my entire NYC trip, the King Tut exhibit was among my favorites. Even the dinosaurs in the Natural History Museum have hard competition against such a comprehensive, complete, well-planned gallery. The website estimates nearly 3 million people will view the current tour. While the $30 entrance fee was somewhat pricier than the other museums in city, I highly recommend being one of those 3 million before these pieces before they head back to their home country. Their next stop should be Denver, CO.

Official Exhibition Website

Wednesday, July 7, 2010

A Night With National Geographic

Talent. Planning. Flexibility.

When I arrived at my first Iris Nights Seminar at the Annenberg Center, these were three of the first words to come up during the presentation of taking amazing photos. They are not surprising words; in fact, I'd wager you could hear any photographer worth his salt giving out such advice in regards to taking a great photo. However, these words held special weight for me and the packed room in attendance, as this was not any photographer speaking in front of us. this was David Griffin, previously the Director of Photography for National Geographic Magazine. And while he has since moved onto to new online development for the society, we still clung to his words as children often cling to their grandfather's tales.

In the photography world, everyone wants to shoot for National Geographic. The standards they have set in the world of photojournalism are so solidified into our artistic field that it is a dream that is nearly impossible to avoid having. Whether shooting portraits, landscapes, underwater, or any variety of fields, the Society has been there, done it, and made it appear amazing. As someone beginning to enter the professional realm of travel and photography, this was a one-time chance to start out learning from someone that just had a hand in bringing those images out, but practically hand-picked most of the images that started my passion to begin with. The seminar was the first chance I had to really get a feel for what this career would be like.

The whole night started rather intimidating. Here I was, a lanky guy with jeans a t-shirt that didn't even bring in his camera surrounded by huge players in the LA photography scene. the chain went all the way up to Annenberg herself, who I did not find out until later was in attendance that night. The experience was almost straight out of the movies that were my only image of this surreal scene: art everywhere, fancy dress, people discussing the deeper meaning of specific pieces. And here I was with a notepad, sitting bright-eyed in the second row nervous as all Hell.

In the end, however, most of the advice was surprisingly simple and the presentation fun. The reason for Mr. Griffin's seminar was as an end-cap to their Water presentation. He was there to speak about how National Geographic makes the images they do. There was practical advice, interesting stories (especially one involving a photographer's sea lion friend), and amazing images displayed on their showroom screens. The overall experience was informative and greatly entertaining. As the night wore on, I found myself taking fewer nights and relaxing quickly (to no surprise, the same could be said of the student who sat next to me with her own notepad). His words had time to soak in and really take on some meaning.

Most of the advice was fairly straightforward and less surprising than I expected. It was reiterated several times that NG is, first and foremost, a scientific journal that applies to all the rules of good photojournalism. It is because of that reputation that they are allowed great access around the world and also within the industry. David gave a fairly thorough idea of what really makes the photography and writing at the magazine such a trendsetter: the idea that it's accessible to so many audiences. Their photos tell stories and give the viewers a sense of place. I immediately thought to all of the images of far-away lands and seemingly exotic places found in their pages and realized he was just putting into words what so many people simply felt all along. There was also a few more technical elements, such as the time it takes for a story to go from concept to print, how the different mediums of text and photography are merged into one story, etc. Probably the most intimidating was the shot count on most stories - 30-40,000. I could only think of the artist blocks lasting months only to culminate in a couple hundred photos on my hard drive.

After the seminar, I had a chance to listen in on a few conversations he was having with audience members staying behind. I even had the chance to give him my card and invite him to visit Warner Bros., which was a good experience for someone so new to the field. And, walking away, I had a renewed sense of hope for my career in photography. Talent, planning, and flexibility were only vague concepts before, but then I had a true motivation to find their meaning. Perhaps that will lead into the pages of National Geographic one day.

Saturday, April 3, 2010

Water: A Thirsty Exhibit

One of the great parts about Los Angeles is that there is never a shortage of places to express artistic freedom. The Silverlake/Echo Park area alone could take months of observation to fully explore the tiny venues, artists, and shops available to view creativity in action. However, one of the greater locations in the city for the professional photography realm is a complex known as the Annenberg Space for Photography in Century City. Headed by the Annenberg Foundation, the Space has rotating exhibits that are changed out semi-annually, in addition to tons of seminars and special events related to the photography field. Even the building design itself is based on the inner workings of a camera. In short: it's a photographer lover's dream.

Today, I had to opportunity to check out the Space while my mom was in town for a visit. This particular display was National Geographic's Water: Our Thirsty World, an exhibit I had been excited about ever since flyers first began appearing on telephone poles throughout the city. We arrived and spent the next hour wandering the halls.

The displays were incredible, which was no less than to be expected. The Space was somewhat smaller than I had imagined, but the exhibit was well-distributed with tons to see. Not only were the prints themselves lovely, but they had touch-screen tables, a reading room, guestbooks, and an absolutely amazing theater rolling through interviews and displays regarding the special edition of the magazine released this month. Overall, I enjoyed the trip and look forward to coming back.

However, the special program did have one downside, which was portraying the realities of the water crisis we are quickly beginning to face. The brilliant, dazzling blues and greens captured in nearly every photograph were contrasted sharply with the grim message they relayed. Whether it was the image of an African woman shoveling meager rations of dirty water into a pan or dry, rusted landscapes of what remains of Owens Lake, California, the alert was clear.

With the world being caught up in the global warming craze and the subsequent flooding that is warned, we often forget that we have such little water readily able for us to consume. Only 1% of all the water in the world can be used for human use at the moment, and in many countries its supply is vastly smaller than the demand. It will only be a matter of time before the deadline has passed on preserving what is available.

I highly recommend roaming through the Space firsthand if you make it to LA. While you're at it, pick up a copy of National Geographic's special "Water" issue. Even for those who aren't photography fans, it may open a whole new perspective about our world.


Rushing Waves by =serphius on deviantART